Saturday, May 31, 2014

Zerstreutheit (The Forgetfulness)


"Beim Himmel, dieses Kind ist schön!
So etwas hab ich nie gesehn.
Sie ist so sitt—und tugendreich,
Und etwas schnippisch doch zugleich.
Der Lippe Rot, der Wange Licht,
Die Tage der Welt vergeß ich's nicht!"


As Mr. Rajkumar paused from his recital, the hall of Philharmonic was full of applause. Lights were switched off. When they came  on, it was Bonamie Borah on stage.  


Bonamie  shouted out to Baruani, "It’s Smelling, did you put something on the stove?"
Baruani opened the window, "Oh, it's you. Hmmm... now I can smell it too. Something seems to be burning."
"Is it  not you?"
"No!"
"Then wait, I'll ask downstairs". Saying soBonamie rushed downstairs. But only two steps, when she realized, and got embarrassed. It was no one  but Bonamie  herself who put milk on the stove and forgot.
She ran to the kitchen and by that time her husband  reached  home as well. He found the door open,  with the smell of burnt milk wafting in the air. He looked at Bonamie and gave her a  knowing smile.

Mr. Rajkumar changed his shoes,  hanged his coat on the arms of his regular chair, took out a bottle of water and stepped  inside his studio without a word. Bonamie was little uncomfortable for  her carelessness with the milk, so she didn't start any conversation. It was customary of Rajkumar to speak less, keeping his presence in the house quiet. This was a different Rajkumar from the one millions of people across the country and abroad knew, someone they might not have ever imagined. 

From the kitchen Bonamie tried to surmise  what Rajkumar might have been upto. He must have had left for the studio instantly, she knew. She noticed the Little Maphisto kept on the stool. Well, little Maphisto was a grotesque looking creature of papier-mâché, one of Rajkumar's patent designs used extensively in his shows. The Little Maphisto, however, apart from his performances on stage, played a different role in the household. Whenever Rajkumar would leave it on that particular blue colored stool, it signaled  something important for Bonamie to notice. The Little Maphisto thus remained like a paper weight, weighing importance on moments, or times. Bonamie  walked  to the stool and noticed it: the contract paper from the Berlin Zauberkunst Unternehmen.      

*
Project Banalata worked well and remained reputed in the last one decade. Bonamie  remembered the first night of Project Banalata, when Mr. Rajkumar launched it in Bhopal Museum. Thousands of people stayed  stunned and astonished for almost three long hours. What an illusion it was! Mr. Rajkumar landed on the stage with a time machine: "For thousands of years I roamed the paths of this earth, from waters around Ceylon in the dead of night to the Malayan seas". People applauded to see the ocean with high tidal waves in the cyclorama. The time machine travelled across the history of India, and across the ages  Mr. Rajkumar’s magic conjured  all charm and bewilderment. That was the first time Bonamie  appeared on stage in his  show, as "Natorer Banalata Sen", her hair  like that of an ancient darkling night in Vidisha.

Immediately after the grand success of  Project Banalata in Bhopal Museum they went to Japan under the sponsorship of Japan Foundation, and that was their first international hype.

Bonamie  pinned  the contact paper on the display board and rushed to the studio. 


*
Every time they started up a new project, they scouted out a new location and had some peculiar discussion. The place could be anything, a picnic spot at the outskirts or a coffee shop they had never been to before; , just a decent enough space to hang out. . This time they went to the school playground where Bonamie  spent   her childhood. After talking a while over her childhood memories, Bonamie  surprised her husband  with an unexpected question.

"Tell me about Arpita".
"Who Arpita?"
"Your Arpita".
"What?" Mr. Rajkumar's jaw dropped. "What has happened to you…! After so many years?" He exclaimed, "and to be frank I've forgotten nearly t everything about her in the last thirteen years".
"But it's been thirteen years", Bonamie  remarked, "and that you remembered immediately, right?"

Mr. Rajkumar smiled like a little child. However, the conversation shifted to another topic soon. Bonamie  played a song in her MP3 player, a song from Dylan. They spent some time silently, sitting on the staircases at the entrance of the playground. The song seemed to hover  in the air: "Once upon a time you dressed so fine
Threw the bums a dime in your prime, didn't you?..."

"Can you please stop that song?" Rajkumar said, "I don’t feel like  listening to it now."
Bonamie stopped playing the MP3.

In his student days Mr. Rajkumar went to PC Sarkar for a workshop on magic where he met Arpita Kar. Those days  he was known as Raju, Raju Pathak. They had a good time together. Coming back from the workshop Rajkumar started his own ventures with experimental magic shows. Along with some trainings he got from PC Sarkar, he adjoined references from ancient Assamese Tantric practices and rituals. For a couple of years he also worked as an assistant with M Hussain, the legendary magician of the time.. As his innovations using  Tantric rituals in his magic shows received promising  attention from  the public, he developed his own method on the basis of it. He explored  historical and mythological stories, and narrated them along with his own techniques. However, zig-zag girl, or splitting the women remained his most popular technique.. 

It was in Vidarbha region, when he was collecting some historical materials for his next show, that he met Bonamie  for the first time. Raju became  known  as Mr. Rajkumar by that time. Bonamie  was then a young researcher working on the Shalabhanjikas from Amrawati..

Bonamie  was an intelligent woman, extremely ambitious about her academic career at that time. When she got engaged with Rajkumar,  her friends and colleagues warned  her that  with a big name like Mr. Rajkumar, it would be difficult to nourish her own dreams. But she was confident about her choice. .  With time, however, she  had lesser and lesser time to think over her academic career independently. Gradually, she  got engaged into Mr. Rajkumar's projects. The best ever gift she received from him  was the Project Banalata. That was the first show where she participated in the ‘splitting the woman’ trick part and greatly enhanced it. a . A very common trick in contemporary magic shows,  it was improvised by Rajkumar to include  picturization of the famous Bengali poem, ‘Banalata Sen’ by Jibonananda Das. Bonamie  would get inside a set of boxes, then Mr. Rajkumar would appear as "The Incredible Butcher", and cut   her body parts by splitting the boxes. He would then carry the box containing her head and walk down amidst the audience, allowing them a closer look of the miracle.  In no time, he would place the box in its place, and  the unharmed woman used come out of the box. What an incredibly popular show it came to be in the course of time! !

"If we have a girl child, we'll name her Vidisha", he used to say.
"Why Vidisha, and why not Vimbisara?"
"Vimbisara sounds like Hidimba, he he he!" He used to laugh. 

There are ups and downs in everyone’s life.  In recent times, people had started saying that Mr. Rajkumar's glorious days were slowly dying out.  Live performances like magic shows were beginning to be effectedfor various  reasons.

But the  hard times hardly harmed the mutual bond of the couple.

When they were on the way back home from the play ground, Rajkumar was mumbling to himself, "When you ain't got nothing, you got nothing to lose
You're invisible now, you got no secrets to conceal"
He realized that he was singing the same song he didn't want to listen to a while ago.  Bonamie  smiled at him.
Rajkumar said,"We were so close to each other, that time, when we were  training under PC Sarkar. So close we were, we spent all our  times together- good and bad. We ate together, we travelled together, we worked together."
"And also slept together", Bonamie  gave a naughty smile.
"Dhutt", an utterance of disgust came out of Mr. Rajkumar's mouth.
"Sorry. Continue."
"Well", Rajkumar continued, "but I had a strong feeling that if I die in front of her, I would die being a different person."
"What does it mean?"
"I can't explain… but I will try. Once we were in a restaurant. It was sort of a surprise party from her side. She told me that she had ordered my favorite flavored ice-cream. When the order came I saw it was strawberry, what I used to hate the most. Anyway this is just a small instance to explain. When we were with friends or families, she used to tell about me and small things around us, and then I used to notice- many things about me were actually not real. You know, they were not false as such, they were not lies, but they were not true statements about me either. Somehow I felt, I was not secured in  her hand. I  didn't exactly know how it happened. How this thought came to my mind. But I  felt, the portrayal she made of me  was simply a wrong one."
"Hmm... perhaps I can sense it."
"Perhaps I was too ambitious, too narcissistic, or, too much conscious about my public image.. I don't know."  




*
Rajkumar's personal adviser Patgiri also admitted about the need of a shift in the method of performances.

In last few years Rajkumar was not doing well. He was not having any shows abroad, not any  within the country too that had left a mark on the public.. At times he thought  of taking a sabbatical from live performances. Many people suggested that  he should opt   for reality shows  on television, but Rajkumar was  against  live art form  being replicated in the electronic medium. But it was a fact that circus was almost a dead art in recent years. The same fate awaited  magic shows. The urban society was  engaged  TV and other electronic media for leisure and entertainment. Moreover, magic shows were criticized by social activists for extensive use and display of the female body.

After three consecutive  failed projects in last three years, at the time of recession, nobody would believe that Rajkumar and Bonamie now had to think twice  before submitting an electricity bill.

It was Patgiri's idea to have a "feminist twist". Now what was that "Feminist Twist"? Patgiri referred to pornographic works, irritating Bonamie, something he did often. There was a cover story on an online magazine about feminist porn: where women were insisting  on making pornography from women's perspective. It was about something not meant for the male gaze, but for the amusement of women. However, it was another awkward example that Patgiri made. He could have cited some other example instead of this, Bonamie   mused to herself.

After a lot of brain storming and rehearsals they  plotted a possible twist that could make the public interested in their shows once again: that was increasing the stage presence of Bonamie  instead of Rajkumar. The "Incredible Butcher" would be Bonamie  this time. . He used as examples  the names of women super heroes and fighters, from Angelina to Claire Bannet, Lynda Carter, Jeniffer Garner…

"Now it is up to you", Patgiri added, "whether you would like to develop with the Hollywood action-heroine sensibility, or to put in it a nationalist sentiment with references from Mula-Gabharu, Rani Lakhshmibai or something".

"This is the time for you to die", it was the second speculation Patgiri put forward, "and I can vow it, you cannot even imagine how people would be emotionally and sentimentally overwhelmed to see the legend dying on stage". Mr. Rajkumar was  slightly uncomfortable  at this point, but Patgiri added, "And you know well, the regaining of life after the butcher's killing, will add on a new dimension with the notion of re-incarnation. Patgiri stressed, "Just frame it as Mr. Rajkumar in Avatar!"


"Think over it, re-incarnation- would go with your patent styling, I mean with the time machine concept from Project Banalata, and alsowith your current public presence where you are actually trying to re introduce yourself". 

*
The Berlin Zauberkunst Unternehmen raised the flag. Mr. Rajkumar was in full enthusiasm after so many years. Surprisingly Bonamie  reduced her weight up to seven kilos in the last seven months. The Rajkumar Foundation that was established a decade ago but  lying inactive for so long was re vitalized. It worked hard for fund-raising and  achieved its target in last couple of months.


The royal hall was houseful. The PR group worked well promoting through social networking. For the last one month there were stories on Mr. Rajkumar and his life in the social medium. The preparation process was also being  circulated. There were shows discussing about the "Feminist Twist".    


*
As planned, they made some free time before the performance to walk in the city, the way they always did before a big performance.  The city of Berlin offered many nostalgic moments.  As they walked, they also tried to grasp the body language of the everyday public. They observed how the people walked, shopped, how they talked to each other.

"What are you thinking?", Bonamie  asked.
"At the day's end, like hush of dew
Comes evening. A hawk wipes the scent of sunlight from its wings.
When earth's colors fade and some pale design is sketched,
Then glimmering fireflies paint in the story", Rajkumar uttered.
"It's been a long time since I last heard the lines  of Banalata Sen  from your mouth". Bonamie 's face was glowing.  
*
It was the day.
The day of retrospection of the best shows of Mr. Rajkumar. The time for re-launching the time-machine of Rajkumar's magic, the Banalata Sen in Rajkumar's magical interpretation, "Through darkness I saw her. Said she, "Where have you been so long?".

Then the time machine shifted space:
Beim Himmel, dieses Kind ist schön!
So etwas hab ich nie gesehn.
Sie ist so sitt—und tugendreich,
Und etwas schnippisch doch zugleich.
Der Lippe Rot, der Wange Licht,
Die Tage der Welt vergeß ich's nicht!

[By God, but that's a lovely girl!
More lovely than I've ever met.
So virtuous, so decent, yet
A touch of sauciness as well!
Her lips so red, her cheeks so bright—
All my life I'll not forget that sight.]

As Mr. Rajkumar pauses from his recital, the hall of Philharmonic was full of applause. Lights were switched off. When the lights came on, it was Bonamie  on stage. Then  came the magical twist to the magical show. Bonamie  took over the stage. Rajkumar  was put  inside the four-folded box by the "Incredible Butcher" Bonamie .

Bonamie  pranced along the boxes, folding  and unfolding  them in front of the audience- what a delightful rhythmic gesture it was! She closed all the boxes and pulled out the magic sword. She started riding a horse in the  gesture of Mulagabharu and cut down the box at the top- that is how she beheaded Rajkumar. Mr. Rajkumar, the living legend of contemporary magic shows got beheaded! She took up the box with care. With delicate movements she took the box and stepped ahead on the ramp, towards the audience. A crowd of nearly three thousand people .


Flashes of cameras, bright colorful lights glared at her hair. She stepped ahead. . She opened the box on her hand, and it was Rajkumar's head inside it, with blinking eyes.  The crowd broke out in an outburst of applause. She walked and walked ahead on the ramp. The hall  began rumbling. The flashes made her blind…. The (zimmy zip) cameras  recording her live (telecast) came in front of her. Applause increased gradually. As the bright flash dropped on her eyes, she closed her eyelids. 



A sudden silence it was.
She opened eyes in bright sunlight. She was walking on the street. She tried to control her walk, as she realized she was trying a catwalk on an ordinary street. Anyway, what street was it? Which place was it? Was it the street 18 in Kathmandu where she was lost for a while and she was clueless as her mobile was not working that time? When was it? Five years ago? Seven years ago? Or was it in Vimbisar, Vidarbha, or somewhere in Shravasti? She walked and walked ahead. Very few people were on the street. None were known to her. Then she saw a man singing with a guitar on the footpath. She came close to him. She knew that person, somewhere she met him earlier. There was a name tag on the upper pocket of his shirt, "Mr. Tambourine man". She could not convince herself, no, this man is not Mr. tambourine man at all.

"Please do sing a song for me, I may indentify you. Today I have no place to go, nothing to do" she said.
With a smile he started singing,
" How does it feel
How does it feel
To be on your own
With no direction home
Like a complete unknown
Like a rolling stone"

It was impossible for her to remember the man singing on footpath. But she left the place soon, as it was not so important for her anymore. Moreover she didn't want to listen to the song at that moment since she had the glory of success of the night, the night of her victory, the successful magic show as the ‘Incredible Butcher’.

She speeded up her walk and suddenly she noticed a narrow path ahead that led to a small hilly area. Oh it’s Kharghuli. Somebody was playing a mouth Organ, may be the same person she met on the footpath. She reached Kharghuli. Then suddenly she heard many people talking. A crowd was coming from behind, she looked back on the side of Navagraha, a procession was ahead. It was actually a huge crowd, and it was coming close to her. As the crowd reached her she understood it was carrying a deadbody. Many men, women, children, old were participating in the procession. Without a second thought, she eventually started walking with the crowd. Whose funeral  was it? Who died and how? Was he or she a very famous one? Anyway, why was she walking with the crowd?

She stopped. The crowd moved ahead leaving her behind. An old man from the crowd looked back at her. It was a bad gaze; in fact, very disturbing. She diverted her eyes from him and walked towards the narrow path towards the hillside. Just a little walk, she was at home. The door was left open. She entered. Called Rajkumar. But there was no one at home. She looked at the stool, Little Maphisto was not there. That means no message Rajkumar had left for her. She went to the dressing table and sat down. Her eyes were dark. Her skin was sun burnt.

"Where have you been so long, Banalata sen?" a voice came.
Bonamie  looked around.
" All birds come home, rivers too,
All transactions of the day being over
Nothing remains but darkness
to sit face to face with Banalata Sen." the voice came again.

The little Maphisto was hanged beside the dressing mirror as it  used to be earlier. She looked at Little Maphisto. "Is it you Maphisto talking to me?"

"Why did you do this?" Maphisto said.
"What? What did I do? What do you mean by this?" She exclaimed.
"You are brilliant. You are talented. Performance was in your blood, he said it right."
"Yes, it is fine. But what do you mean?"
"Allwissend bin ich nicht; doch viel ist mir bewußt".
"What does it mean?"
"I am not Omniscient, but I know a lot. You did the best of the performances ever Mr. Rajkumar wanted to do in his life time.  All around the Globe it has become  a historical event now. But being the Incredible Butcher, why didn't you complete the game?"
"What Game?" Bonamie  got surprised.
"You beautifully beheaded Mr. Rajkumar. You took the box where his head was put. You walked ahead on the ramp towards the audience. You celebrated the applause. Yes it was the greatest applause ever in the history of magic. But what did you do with the box thereafter? Why didn't you put the box back in its place?"

Bonamie  was stunned.
She could not really remember what happened next. She could remember taking the head of Mr. Rajkumar, walking on the ramp of Philharmonic and then... then.... nothing. She could remember nothing.  

It  was smelling like burnt milk from someone's kitchen.